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The Savages
Wendy is a playwright living in the East Village section of Manhattan, who uses her time temping to send out grant applications. She's having an affair with her landlord(Peter Friedman) . Jon is a professor at SUNY Buffalo, where he teaches a course of Bertolt Brecht, is writing a book on the subject, and breaking up with his girlfriend(Cara Seymour), who's visa is about to expire. But Doris' death leads to an eviction and Jon and Wendy have their lives upended. This is about what happens when the parent becomes the child and vice versa. It's something that pretty much everyone over a certain age can identify with.
The acting, as one might expect with a cast this prestigious, is
excellent, and Hoffmann and Linney have great chemistry together.
But it is Bosco, who's done almost exclusvily live theater in the
past, who steals the movie, he's both brilliant and pathetic as the
old man who's losing both his marbles and his life. The supporting
cast is also fine, with Friedman giving a nuanced and funny
performance, and Gbenga Akinnagbe shines in a small part as a
caregiver at the nursing home where John and Wendy have put their
father. But it's the sharp writing by Jenkins, who hasn't done
anything of note since “The Slums of Beverly Hills”, which turns
this from a mere movie-of-the-week to something so much more.
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