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The Protagonist
We have a homosexual (Mark Pierpont), who becomes an “ex-gay”
evangelist; a German radical (Hans-Joachim Klein) orchestrates acts
of terrorism; a troubled young man (Joe Loya) takes to robbing
banks; and a scrawny teen (Mark Salzman) learns to master martial
arts. They are the same and they are different. They are the same as
they are all MEN. Some of them decide that what they are doing is
not as good as they thought. Others are thrown in jail and learn
that way. Still others go on to other teachers and thus continue
with their passion.
This is simply an attack on faith, an attack on passion, and while
blowing stuff up and robbing banks are definitely BAD things to do,
Loya and Klein's stories are completely opaque. The puppets don't
actually help to make things any clearer, although they're more fun
to watch than the talking heads. It seems that Yu had an idea in her
head, realized that all the work she was doing would lead nowhere,
and went ahead anyway as if the project was finished it might make
some of her backers' money back. Go to Index Archives of past reviews
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