November 22, 2008

  Greenwich Village Gazette

CD REVIEW: AFRO REGGAE

Favela Uprising

(Mr. Bongo)

Article and live photos by Ernest Barteldes

Formed in the squatter towns of Rio in the late 1990s, Afro Reggae became a cultural movement that helps young men and women stay away from trouble (i.e. Drug trafficking) by educating them in music, dance and theater. The most visible part of the movement is the band, which has recently had their first release, which compiles several tunes from earlier Brazilian CDs, including their latest there, Nenhum Motivo Explica a Guerra (There is No Motive to Explain War).

The CD is a mix of rap-inspired songs that send a message of peace and understanding, romantic R & B inflected songs, funk and of course, reggae. That is the style of one of the disc's strongest moments, \ "Quero S Voc" (All I Want Is You), a radio-friendly tune with nave but catchy lyrics. On Benedito, however, heavy guitars give the backdrop of a story about a young criminal who finds a cruel but inevitable fate. The tune features Manu Chao, who sings in Spanish about the stupidity of violence in big cities.

Caetano Veloso and Gilberto Gil co-wrote Haiti in 1992 to comment on racism in Brazil. The rap-like words were inspired by a massacre in which police attacked inmates in a So Paulo prison during a rebellion; 111 of them some who had already served their sentences were ruthlessly killed, prompting dramatic changes in police laws in the country. Afro Reggae's take on it begins with a reggae backbeat that changes into a more syncopated beat as the vocalists begin to sing the line 111 defenseless inmates/are almost all black/or almost white/ or almost black due to poverty/ and everyone knows how they treat blacks.

Another strong moment is Coisa de Nego (Black Guy's Thing), a 70s funk-inspired, very danceable tune whose lyrics speak of how Afro-Brazilians and African Americans have influenced music in Brazil. Listen also to A Parada Outra (A Different Story), which narrates the utopia of a young boy victimized by violence who was able to leave misery behind to recreate his life.

Favela Uprising is a good example of where the Afro Reggae band is now; they are able to deliver their socially conscious message but can also sit back and enjoy the music; they are obviously having fun with it, and that comes across to the listener as well.

LAST WEEK

reprinted from The Lawrencian


New Jersey's Largest